Frankenstein Essay -- English Literature

FrankensteinIn the novel Frankenstein Mary Shelley Portrays a Monster. The viewof the daemon is hideous. In the beginning he was childlike, kind andhelpful but with the time he gains intimacy he becomes miserable.Mary Shelley writes about the monster to express her views aboutknowledge and the changes it can bring.In the 19th century with the industrial revolution there were negativeeffects. At the time there was a lot of development in Science andtechnology causing people unsettled. The people died because diseasesspread. When people felt unsettled they wanted to know why are thesechanges happening so, they turned towards faith or thesupernatural. Thats why stories about supernatural became popular.Frankenstein is one of the typical examples of that time whichportrays the effects of these changes.As we read more we get to know that maestro Frankenstein described themonster when he first came alive. The monster was hideous with hisyellow eyes, pearly white teeth and scarcely skin . Here Shelleywants us, as readers, to be repulsed by what we see. She wants us toknow that knowledge is dangerous the monster is a symbol of Victorsknowledge to the monster by running game away. This Quote I rushed of theroom, and continued a long time transversing my bedchamber, showsthat Victor is distressed by his creation.As we readed more we observed that the monster is described asChildlike, for example, when he came across the fire and was excitedby its warmth. Here Shelley is telling us that the monster hasstarted to feel his senses. He is nave and we feel sorry for him.Mary Shelley then introduces the monster as a narrator because shewanted us to know the truth, in ... ... the girls friend injured him becausehe thought that the monster is hearting her. The monster remained inSwitzerland with his pain and agony for a couple of days. Then hereached Geneva afterwards all. We feel that the knowledge has turned themonster into an Evil. Mary Shelley wants us to know that knowl edge canbe dangerous and can lead to the lowest dejection if somebody knows alot about everything he can become unsatisfied.In my conclusion I would say that the monster changes as he gainsknowledge. In the beginning he was kind and helpful, but becamedangerous and horrible as he gained knowledge. Mary Shelley describesabout the monster to create an image of those circumstance in ourhead. She also tells us that knowledge can be dangerous. We feel thatthe monster was innocent and Victor Frankenstein is responsible foreverything that has happened.

Free College Essays - The Fall of Othello :: GCSE Coursework Shakespeare Othello

The F totally of Othello The Othello of the Fourth Act is Othello in his fall. His fall is neer complete, but he is much changed. Towards the close of the Temptation-scene he becomes at times most terrible, but his grandeur remains almost undiminished. Even in the interest scene (III iv), where he goes to test Desdemona in the matter of the handkerchief, and receives a fatal confirmation of her guilt, our sympathy with him is hardly touched by any feeling of humiliation. solely in the Fourth Act Chaos has come. A slight interval of time may be admitted here. It is but slight for it was necessary for Iago to thrill on, and terribly dangerous to leave a chance for a meeting of Cassio with Othello and his insight into Othellos nature taught him that his plan was to deliver blow on blow, and never to ply his victim to recover from the confusion of the first shock. Still there is a slight interval and when Othello reappears we see at a glance that he is a changed man. He is physically exhausted, and his mind is dazed. He sees everything blurred through a mist of blood and tears. He has actually forgotten the incident of the handkerchief, and has to be reminded of it. When Iago, perceiving that he can now risk almost any lie, tells him that Cassio has confessed his guilt, Othello, the hero who has seemed to us only second to Coriolanus in physical power, trembles all over he mutters disjointed words a blackness suddenly intervenes between his eyes and the world he takes it for the shuddering testimony of nature to the horror he has on the nose heard, Endnote6 and he falls senseless to the ground. When he recovers it is to watch Cassio, as he imagines, laughing over his shame. It is an imposition so gross, and should have been one so perilous, that Iago would never have ventured it before. But he is safe now. The sight only adds to the confusion of intellect the madness of rage and a ravenous thirst for revenge, contending with motions of infinite inclination an d regret, conquers them. The delay till night-fall is torture to him. His self-control has wholly deserted him, and he strikes his wife in the presence of the Venetian envoy. He is so lost to all sense of reality that he never asks himself what will follow the deaths of Cassio and his wife.